Superman II

Three criminals sentenced to eternal imprisonment by Jorel (Superman's real father) are inadvertently released from their confinement. They eventually make their way to Earth, where they have the same powers as Superman (Christopher Reeve). Superman II (1980) isn't as exciting or as fun as its predecessor, but the villains are entertaining, particularly Sarah Douglas as Ursa, who of the three bad guys is the most amused by her new-found strength. As General Zod, Terence Stamp looks a bit too ridiculous in that costume with the black, shiny boots and the V-neck, like he just walked out of an altogether different kind of movie. Gene Hackman gives the film some levity as Lex Luthor, although without his bumbling assistant Otis (Ned Beatty, who has little more than a cameo), he doesn't have anyone to make fun of. The director, Richard Lester, is constantly thinking of ways to make light of the situation, but the humor doesn't lift the film out of its funk for long. The film suffers from being too heavy-handed at times. And it's hard to believe anyone could beat Christopher Reeve up, as tall and large as he is, even after he briefly gives up his Superman powers to be with Lois Lane. Still, there are some entertaining scenes, such as Clark Kent trying to rescue Lois at Niagara Falls, and the three villains turning Metropolis (a.k.a. New York City) into a playground for their own amusement. With Margot Kidder, Jackie Cooper, Susannah York, Jack O'Halloran, Marc McClure, E.G. Marshall as the President, and Valerie Perrine. 127 min. ★★½

Superman

Generally, comic book movies are insufferable. Superman (1978) is an exception. Despite its bad special effects, which were dated even in 1978, and its cornball, rah-rah-America attitude, Superman works. It's enormous fun. You never take Superman too seriously, even when he proclaims his motto about fighting for "truth, justice, and the American way." Christopher Reeve plays him just a little tongue-in-cheek: he doesn't enshrine his character with self-importance. And it's hard to find a more entertaining villain than Gene Hackman as Lex Luthor, who may be evil but at least manages to be funny and colorful at the same time, especially when he's insulting his flunky, Otis (Ned Beatty), a delightfully bumbling underling, or condescending to his bosomy assistant Miss Teschmacher (Valerie Perrine). Hackman looks like he's having a ball as the criminal mastermind, and his digs are quite impressive: he lives under the subway in some kind of subterranean palatial apartment. Luthor is buying up a bunch of worthless desert land along the San Adreas fault, and once he causes a massive earthquake that knocks the good half of California into the ocean, his crummy real estate will be worth a fortune.

Of course the whole Superman idea is a bit corny: He's the nearly-perfect superhero, not complicated by internal struggles or morality the way Batman or other superheroes are. The original Superman comic book (created by Jerry Siegel and Joe Shuster) debuted during the Depression when it was conceivable that kids needed a role model who was impervious to everything, including hunger pangs and the moral corruption that tends to accompany extreme poverty and want. In the 1970s, the appeal of Superman was to moral corruption and decay at a higher level: A post-Vietnam and post-Watergate America must have seemed like fertile enough ground in which to plant this superhuman boy scout with a red cape and goofy tights. The writers of Superman (there were quite a few of them: Mario Puzo of The Godfather, David and Leslie Newman, Robert Benton, and Tom Mankiewicz) must have sensed that they needed their superhero to be mildly funny and self-aware to balance the goody-goody image. And yet Superman is never self-effacing. In that way, the movie gives us a good time without being ashamed of itself.

With Marlon Brando as Superman's father, Jorel, the stoic intellectual of the planet Krypton, who foresees his people's imminent doom and sends his infant son off to earth in a weird little vessel with pointy crystals protruding from every which way; Margot Kidder as plucky Lois Lane, the reporter who works for the Daily Planet and steals Superman's heart; Glenn Ford and Phyllis Thaxter as Superman's earth parents; Jackie Cooper as the editor of the Planet; Marc McClure as Jimmy, photographer for the Planet; Jeff East as the teenage Clark Kent/Superman; Susannah York as Superman's real mother; and in small parts that serve as a setup for the sequel, Terrence Stamp, Sarah Douglas, and Jack O'Halloran as three Kryptonian criminals sentenced to eternal imprisonment in a glass, square prism that forever hurdles through space.

Music score by John Williams. Cinematography by Geoffrey Unsworth. 154 min. ★★★½