Margin Call

Margin Call takes place over about a 24-hour period in which a New York investment bank foresees the impending financial crisis of 2008 and tries to save itself, effectively screwing over everyone else in the process. Kevin Spacey heads the cast as a middle man who grapples with the morality of selling out at the cost of so many other companies' very existence.  

It's a grimly keen assessment of Capitalism; a lovely little tragic-comedy full of lonely figures in business suits trying to hold on to as much of their money as possible. All the business-world jargon that confuses most of us in real life sputters out of the lips of the characters in this movie with irony: half the time no one knows exactly what is meant by "volatility index" and the like. You keep waiting for the movie to translate it for you. Even the big boss (Jeremy Irons) asks for plain English when a meeting is called to discuss how to deal with the storm that's brewing.

This movie humanizes the business world and dehumanizes it at the same time. It placates the idea of class warfare by suggesting how infinitely culpable every one was in the economic downturn that continues to problematize our money matters here and abroad.

It's a tight, compelling little economics thriller with capable performers in front of the screen. There's no maudlin sympathizing with the Wall Street types. Director J.C. Chandor apparently prefers to appear objective. While that's seemingly impossible to do, in the process, he keeps the movie's subject from lending it a sense of self-importance. The fact that it takes place in one brief period (virtually a day and a night and the following morning), gives the movie a sense of urgency. It's a slick move, like something out of a bad Western, and you can only appreciate the fact that Chandor wasn't trying to make this the Godfather of Wall Street movies.

As a result, what we've got here is a pretty damn good movie. Spacey is wonderfully good. Zachary Quinto, as an intelligent young employee who has a mind for numbers (he's got a doctorate from MIT to boot), shows promise. He was a good Spock in Star Trek and here he demonstrates his ability to play other types of characters. Demi Moore is restrained, and therefore pretty good, as one of the higher-ups. Simon Baker too plays his character--one of the bosses--with a sleazy passive confidence. With Paul Bettany, Stanley Tucci (showing a remarkable screen presence in his brief but important role), Penn Badgley, and Mary McDonnell.

Easy A

In Easy A, Emma Stone gives the kind of performance that makes it seem impossible for anyone else to have played the role of Olive, a perceptive but overlooked high schooler who dreams about being noticed, until her reputation takes a change for the notorious. A seemingly harmless tale of a one-night-stand (contrived in order to get her pushy best friend off her back about being such a home-body) launches her from forgotten nothing to the school's hottest topic of gossip. Then, an old friend asks her to help save his reputation (he's terrified of his homosexuality being outed to the viscous jocks), so they stage a little bedroom scene while at a party. Pretty soon Olive is every male virgin's go-to-girl: someone who will lie for them and improve their prudish reputations. But her notoriety comes at a price, and the high school Pharisees (led by Amanda Bynes, who inhabits her role with wonderfully poised bits of Bible thumping madness) engage in a little picketing, some light ostracism, and more than a bit of genuine hellfire and brimstone sermonizing, all at Olive's expense.

Easy A is one of the most original adolescent comedies in years, conceived by newcomer Bert Royal and directed by Will Gluck. Casting is heaven-sent: Stone is easy to like, and she has a natural flare for comedy that comes out in quirky facial expressions and a comic timing that operates in its own dimension: it works on such a wonderfully unexpected level that you find yourself laughing and not being able to stop. The script itself is chock full of funny moments, some of which are so subtle that half the audience isn't even aware of them. As Olive's funny, loving, and very laid-back, understanding parents, Stanley Tucci and Patricia Clarkson seem to be having more fun than they've had in a long time. They're the kind of parents you wish you'd had, although it's more than probable that such parents don't even exist in real life. Thomas Haden Church and Lisa Kudrow are among the high school faculty, Malcolm McDowell is the grizzled principal, Aly Michalka is Stone's BFF, and Penn Badgley is the obligatory sensitive, smart, funny, gentlemanly stud who sees beyond Olive's faux reputation. Besides being original, Easy A taps into the trendy technique of referencing movies of the past (particularly John Hughes films), and also sends a healthy nod to Nathaniel Hawthorne's The Scarlet Letter (which Olive's English class is studying during the events of the movie). ★★★