Vicky Christina Barcelona

Vicky Christina Barcelona (2008) is flirtatious and enchanting fun about two best friends whose extended stay in Barcelona one summer has unexpected effects on both of them, and all because they meet a charming, suave painter, a sort of modern-day Casanova, played by Javier Bardem, who invites them to spend the weekend with him. Fun-loving and curious Christina (Scarlet Johansson) is intrigued and immediately receptive, while cautious, level-headed (and engaged) Vicky (Rebecca Hall) balks at Bardem's outright proposition.

Of all Woody Allen's recent movies, this one--along with Scoop--is the most entertaining. Allen is currently on a quest to capture all the romantic European cities. With Barcelona, there isn't so much of an expectation--as there was with Paris in Midnight in Paris. This is breezy, undemanding entertainment that is clever and unpredictable enough to feel fresh and playful.

Penelope Cruz plays Bardem's ex-wife, a dramatic, neurotic painter who allegedly tried to kill him during one of their famously intense fights. When she enters the picture, things get even more complicated. Allen presents Barcelona as a kind of drink, and its effects on the two unsuspecting American girls are like the effects of alcohol, intoxicating the senses, making them falter in their once sure-footed plans for the future, and filling them with a new-found appreciation for the unpredictable. With Patricia Clarkson, Chris Messina, and Kevin Dunn. Narrated by Christopher Evan Welch. 97 min. ★★★

Julie and Julia

Julie and Julia is probably the warmest film of the year, and Amy Adams is quickly becoming one of my favorite actresses. Meryl Streep was terrific as the famous cooking expert Julia Childs, but I found Adams's story much more enthralling while Streep's half of the movie seemed sort of breezy. Indeed, the fun of watching Meryl Streep and Stanley Tucci was enough to propel their portion of a film which is split into into separate stories of women in 1949 and 2002 respectively: one, a burgeoning culinary icon studying the art of French cooking in Paris, the other a devoted follower living with her husband in Queens, who decides to cook her way through Childs's French cookbook in one year--which she documents on her blog--and which soon becomes an obsession.
It went on a bit longer than it should have, but it was definitely a feel-good kind of movie, an ode to food (what's not to like about that, after all?) ★★½

Away We Go

I had heard much praise of Sam Mendes's little change of pace, Away We Go, and I wasn't disappointed. It is the story of a couple in their early 30's experiencing the fears and joys of becoming parents for the first time, a change that triggers a deep yearning for roots and some sense of belonging. In a culture of seemingly constant mobility, Away We Go captures the scattered sense of community that so many people have. Amidst their voyage from Arizona to Wisconsin to Montreal to Miami and eventually to her childhood home along the Mississippi River, our weary but persistent heroes (John Krasinski, Maya Rudolph) encounter the struggles of their friends and family, seemingly taking mental notes along the way: of what not to do, what to do better, differently, the same, etc. The little vignettes, divided by location, offer some wonderful performances by such fine character actors as Catherine O'Hara and Jeff Daniels (Krasinki's parents), Allison Janney (Rudolph's outspoken, crazy former boss who enjoys the shock value of her demeanor and calls her own daughter a "dyke"), and a particularly amusing performance by Maggie Gyllenhaal as an old family friend of Krasinki, who is the epitome of the trendy modern-day hippy. I found this movie refreshing in its examination of modern values: it doesn't seem to have an axe to grind, and is instead content to simply let its characters find out things for themselves. ★★½